Download Aceh Fonts Family From 38-lineart

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique.

Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern.

Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle.

Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

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Cre Hearttree fonts from Yoon Design - (jkuzu)

Cre Hearttree Cre HeartTree is a sans serif typeface consisting of 3 weights. It supports up to 13 different languages such as English in Latin and other scripts. Cre Hearttree Download Now View Gallery

Bones Stone fonts from Azetype - (nnidt)

Bones Stone Presenting Bones Stone ! A Bold Script Font with more than 9 Alternates and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Bones Stone looks Authentic on design projects. So, Bones Stone Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Bones Stone also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ff, tt, and ll. WHAT'S INCLUDED? 1. Bones Stone Basic • The ...

Phone Pro Hebrew fonts from Tamar Fonts - (ibizy)

Phone Pro Hebrew Note: the “ Phone Pro Hebrew ” typeface, includes just the Hebrew characters of the comprehensive “Phone Pro” family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters. And regarding the “Phone Pro” project in general, this is what I wrote: This font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an ‘individual character’—the way I would treat a breathing, living, vulnerabl...

Harvey-Lee Huynh

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