Harvey-Lee Huynh

Klaud Klaud is our new slab serif family with 14 styles. It is compact, stable typeface that's carefully designed to suit in every possible situation where an working horse typeface could be used. Klaud is good balanced, visually equalized family that looks and feels smooth in longer texts and paragraphs, but works well in headlines also cause it's gentle decorative letter parts. Strong look is achieved by more squared then rounded characters design.  As mentioned, Klaud is perfect to fit into any designer's project – from editorial use as the main typeface to situations where you are looking for a couple of words only like posters or packages. It is fully legible and versatile as web font also. Klaud is offered with OpenType features like Numerator, Denominator, Fractions, Small Caps, Oldstyle Figures, Lining Figures, Standard Ligatures, Case Sensitive Forms, Arrows, Alternate Annotation Forms. Klaud Download Now View Gallery

Neue Rasant → neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system. → neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption. → neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between  a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness. → For trial an

Download Now Server 1 Download Now Server 3 Download Now Server 2 The TT Ricordi font family is a collection of three display heading serifs designed to significantly diversify the traditional font palette. Each font from the TT Ricordi family was drawn by a separate designer and has its own story. With that, all three fonts are close in thickness and similar in their character compositions and are featured in the uppercase set and the small capitals set, which replaces lowercase characters. The fonts have the broad support of Latin languages and support basic Cyrillic. The project originates from the pre-coronavirus tourist trips to Italy, during which our art director Yulia Gonina has accumulated many photographs of historical inscriptions and tablets. Many of these inscriptions had interesting character or unusual character shapes. We wanted to work with them,

Download Now Server 1 Download Now Server 2 Download Now Server 3 Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold italic. Download Louisa Fonts Family From Julia Hanft Download Louisa Fonts Family From Julia Hanft

Download Now Server 1 Download Now Server 2 Download Now Server 3 Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus ex

Download Now Server 1 Download Now Server 2 Download Now Server 3 Monesta ® is a confident smooth serif font family. Designed by Aulia Rahman ,  Monesta ® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator. Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta ® bringing energy and making it suitable for modern design. Download Monesta Fonts Family From Showup! Typefoundry Download Monesta Fonts Family From Showup! Typefoundry

Download Fraktion Mono Fonts Family From Juri Zaech Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen. Download Fraktion Mono Fonts Family From Juri Zaech Download Now View Gallery

Download Larryline Fonts Family From Erwin Krump The Larryline family contains 6 stroke thicknesses and a proper italic, also in 6 thicknesses. It is suitable for a wide range of applications and can be readily combined with other fonts. The x-height of Larryline is identical with the x-height of Lunaquête font. Erwin Krump , typograph and sculptor, developed the Larryline font in 2016—2020. Download Larryline Fonts Family From Erwin Krump Download Now View Gallery